Saturday, 30 January 2010
Character Summery
Hermokrates
Costumes
Steve
Lilah
Kimi
Now we've moved onto looking at the individual characters and their personalities, roles and appearances. We have already decided Kimi is going to be the more fun of the two girls and adding to this we have also decided on making her rather naive, curious, shy and adventurous!
Name Ideas
Zombie Research
First published Mon Sep 8, 2003; substantive revision Mon Oct 9, 2006
Zombies are exactly like us in all physical respects but have no conscious experiences: by definition there is ‘nothing it is like’ to be a zombie. Yet zombies behave like us, and some even spend a lot of time discussing consciousness. This disconcerting fantasy helps to make the problem of phenomenal consciousness vivid, especially as a problem for physicalism.
Few people think zombies actually exist. But many hold they are at least conceivable, and some that they are ‘logically’ or ‘metaphysically’ possible. It is argued that if zombies are so much as a bare possibility, then physicalism is false and some kind of dualism must be accepted. For many philosophers that is the chief importance of the zombie idea. But the idea is also of interest for its presuppositions about the nature of consciousness and how the physical and the phenomenal are related. Use of the zombie idea against physicalism also raises more general questions about relations between imaginability, conceivability, and possibility. Finally, zombies raise epistemological difficulties: they reinstate the ‘other minds’ problem.
Favorite Idea
We have now finally managed to narrow down our ideas and come up with a plot, some props and some characters. We have decided that the main part of our plot will be a hunt for some kinda of treasure. To aid this we have chosen two key props that urge the characters on, a map to find the trease and a key to unlock it. We then decided we wanted three main characters who will symbolise different personal traits such as strength, wisdom, knowledge and so on. Then finally we will have our monster who we are still considering to be a zombie. First however more research into zombies maybe needed.
Further Considerations
Adventure Ideas
Friday, 29 January 2010
Treatment
Working Title
Tuesday, 19 January 2010
Cross Media Advertising
Sunday, 17 January 2010
Evaluating A Front Cover

Magazine Front Covers
- Magazine Title
- Magazine tag line
- Publish Date
- Price
- Bar code
- Website
- Sub Titles
- Main Image
- Sub Images
- Main Article Info
- Sub Article Info
The first feature was the magazine title which is fairly simple to understand, it is the feature that identifies the magazine from other magazines and holds the licensing and ownership of all articles and products sold as a package within the magazine. This is followed by the magazine tag line which is a saying or phrase to back up the title about content or style. Sometimes a website is listed below the main title so that readers can also access other information, videos or exclusive articles on the Internet throughout the month without having to wait for the next magazine issue.
Each magazine needs to list the publish date so its readers can identify when the magazine came out to verify the reliability of the information and also to help stores keep on top of new shipments and which magazines are to be currently sold or shipped back. This information usually corresponds with the bar code which holds the individual product information. When scanned into a system at a store this bar code can then be attached a price or special offers which will then correspond with the tills every time the magazine is scanned in. How ever on magazines this is a feature that remains unused as the prices are usually set by the magazine's company and is then printed upon the magazine. The price will then only be changed if special vouchers or discounts have been cleared and allowed for the current issue. The bar code also sources vital information to the stores main system.
The most visually appealing part of the magazine front cover is usually the main image used. This will most often be an image from the main article the magazine has chosen to feature. This image will usually set the colour scheme for the whole cover as while magazines usually keep the same style for their main title, it is very common to then change the colours to blend in with and match the images and articles used so not to cause an unattractive clash of colour. Along side this main image you find sub titles that will name the featured article or make comment about it. Besides the main image and sub title there are also small bits of information on other articles within the magazine and sometimes pictures to back up the pieces of information.
Saturday, 16 January 2010
Our Genre
To prepare for this I have researched both genres more in depth to help understand the key fetaures and conventions while also seraching out inspiration for our final product.
" Action-Adventure MovieNo one does action-adventure as well as Indiana Jones or The Mummy. These movies may feature some explosions, chases, and fights, but they’re more focused on recovering the lost item. They often feature the hero, or sometimes a ragtag band of heroes, swinging from ropes and running from danger he’s bungled into. There’s also usually a female love interest who holds her own amidst the action. "
- Anon, (2010) Subgenres of Action Film Genre, [Online], Available: http://new-actionmovie.com/action-film-genre/ [16 Jan 2010].
" Stories of an exciting undertaking involving risk and physical danger involving spies, assassins and more "
- Anon, (2008-2010) Action/Adventure, [Online], Available: http://www.epubbooks.com/genre/adventure [16 Jan 2010]
" As noted, there are many different ways of labeling and defining fiction genres. Following are some of the main genres as they are used in contemporary publishing: Genre fiction - Action-adventure. These stories, appealing mainly to male readers, feature physical action and violence, often around a quest or military-style mission set in exotic or forbidding locales such as jungles, deserts, or mountains. The conflict typically involves commandos, mercenaries, terrorists, smugglers, pirates, and the like. Stories include elements of courage, male bonding, and betrayal. "
- Anon, (2010) Genre fiction - Genre conventions:Encyclopedia II - Genre fiction - The genres of genre fiction , [Online], Available: http://www.experiencefestival.com/genre_fiction_-_genre_conventions [16 Jan 2010]
Friday, 15 January 2010
Popular Film Genre
ACTION FILMS
Action films usually include high energy, big-budget physical stunts and chases, possibly with rescues, battles, fights, escapes, destructive crises (floods, explosions, natural disasters, fires, etc.), non-stop motion, spectacular rhythm and pacing, and adventurous, often two-dimensional 'good-guy' heroes (or recently, heroines) battling 'bad guys' - all designed for pure audience escapism.
ADVENTURE FILMS
Adventure films are usually exciting stories, with new experiences or exotic locales, very similar to or often paired with the action film genre. They can include traditional swashbucklers, serialized films, and historical spectacles (similar to the epics film genre), searches or expeditions for lost continents, "jungle" and "desert" epics, treasure hunts, disaster films, or searches for the unknown.
COMEDY FILMS
Comedies are light-hearted plots consistently and deliberately designed to amuse and provoke laughter (with one-liners, jokes, etc.) by exaggerating the situation, the language, action, relationships and characters. It uses various forms of comedy through cinematic history, including slapstick, screwball, spoofs and parodies, romantic comedies, black comedy (dark satirical comedy), and more.
CRIME AND GANGSTER FILMS
Crime (gangster) films are developed around the sinister actions of criminals or mobsters, particularly bankrobbers, underworld figures, or ruthless hoodlums who operate outside the law, stealing and murdering their way through life. Criminal and gangster films are often categorized as film noir or detective-mystery films - because of underlying similarities between these cinematic forms.
DRAMA FILMS
Dramas are serious, plot-driven presentations, portraying realistic characters, settings, life situations, and stories involving intense character development and interaction. Usually, they are not focused on special-effects, comedy, or action, Dramatic films are probably the largest film genre, with many subsets. Dramatic biographical films (or "biopics") are a major sub-genre, as are 'adult' films (with mature subject content).
EPICS/HISTORICAL FILMS
Epics include costume dramas, historical dramas, war films, medieval romps, or 'period pictures' that often cover a large expanse of time set against a vast, panoramic backdrop. Epics often share elements of the elaborate adventure films genre. Epics take an historical or imagined event, mythic, legendary, or heroic figure, and add an extravagant setting and lavish costumes, accompanied by grandeur and spectacle, dramatic scope, high production values, and a sweeping musical score. Epics are often a more spectacular, lavish version of a biopic film. Some 'sword and sandal' films (Biblical epics or films occuring during antiquity) qualify as a sub-genre.
HORROR FILMS
Horror films are designed to frighten and to invoke our hidden worst fears, often in a terrifying, shocking finale, while captivating and entertaining us at the same time in a cathartic experience. Horror films feature a wide range of styles, from the earliest silent Nosferatu classic, to today's CGI monsters and deranged humans. They are often combined with science fiction when the menace or monster is related to a corruption of technology, or when Earth is threatened by aliens. The fantasy and supernatural film genres are not usually synonymous with the horror genre. There are many sub-genres of horror: slasher, teen terror, serial killers, satanic, Dracula, Frankenstein, etc.
MUSICAL FILMS
Musical/dance films are cinematic forms that emphasize full-scale scores or song and dance routines in a significant way (usually with a musical or dance performance integrated as part of the film narrative), or they are films that are centered on combinations of music, dance, song or choreography. Major subgenres include the musical comedy or the concert film.
SCIENCE FICTION FILMS
Sci-fi films are often quasi-scientific, visionary and imaginative - complete with heroes, aliens, distant planets, impossible quests, improbable settings, fantastic places, great dark and shadowy villains, futuristic technology, unknown and unknowable forces, and extraordinary monsters ('things or creatures from space'), either created by mad scientists or by nuclear havoc. They are sometimes an offshoot of fantasy films, or they share some similarities with action/adventure films. Science fiction often expresses the potential of technology to destroy humankind and easily overlaps with horror films, particularly when technology or alien life forms become malevolent, as in the "Atomic Age" of sci-fi films in the 1950s.
WAR FILMS
War films acknowledge the horror and heartbreak of war, letting the actual combat fighting (against nations or humankind) on land, sea, or in the air provide the primary plot or background for the action of the film. War films are often paired with other genres, such as action, adventure, drama, romance, comedy (black), suspense, and even epics and westerns, and they often take a denunciatory approach toward warfare. They may include POW tales, stories of military operations, and training.
WESTERNS
Westerns are the major defining genre of the American film industry - a eulogy to the early days of the expansive American frontier. They are one of the oldest, most enduring genres with very recognizable plots, elements, and characters (six-guns, horses, dusty towns and trails, cowboys, Indians, etc.). Over time, westerns have been re-defined, re-invented and expanded, dismissed, re-discovered, and spoofed.
Dirks, T. (2009) Main Film Genres, [online], available: http://www.filmsite.org/genres.html [5th January 2010]
Tuesday, 12 January 2010
Questionnaire
Here are a copy of the questions I will be asking -
Please cirlce your responce, if a question is non-applicable due to a previous answer please move onto the next question
Are you - Male or Female ?
Are you - -15 or 16-21 or 22-30 or 31+ ?
Do you - Work or Study or Both or Neither ?
Do you watch teaser trailers? Yes or No
Where do you watch teaser trailers? TV or Cinema or YouTube or Other _______
Do you judge films by the teaser trailer? Yes or No
Does more content attract your interest more? Yes or No
Name a film you remember the teaser trailer from
What made it memerable?
Do you read film magazines? Yes or No
What attracts you most to film magazines? Images or Title or Featured Pieces
Do you purchase film posters? Yes or No
Do you find film posters a good advertising technique? Yes or No